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Dictionnaire Des Techniques Et Sciences Appliquees German-French Routledge? Routledge? ジャンル別? ユーズドブック(洋書)-Reference? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage-Polyglot? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-Dictionaries;Polyglot? Subjects-Reference-Dictionaries&Thesauruses-ForeignLanguage-Polyglot? Subjects-Reference-Dictionaries&Thesauruses-General? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-ForeignLanguages-Instruction-Dictionaries;Polyglot? Subjects-Science-Education-Experiments&Projects? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference Selected Papers of Engineering Chemistry and Metallurgy (China)1995 Science Pr? Mao Minghua? Xia Guang? SciencePr? MaoMinghua? XiaGuang? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-53? Subjects-Science-General Subjects-Science-Technology-General&Reference Innovation Networks Concepts and Challenges in the European Perspective (Technology, Innovation, and Policy, 12) Physica Verlag? Knut Koschatzky? Marianne Kulicke? Andrea Zenker? PhysicaVerlag? KnutKoschatzky? MarianneKulicke? AndreaZenker? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Substores-UnknownASINs-66? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-General Subjects-Science-Technology-General&Reference Computers and Applied Chemistry 1994-1995 (Computer Chemistry Monograph, 4) Science Pr? Wang Hong? Ma Dexian? SciencePr? WangHong? MaDexian? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-53? Subjects-Science-General Subjects-Science-Technology-General&Reference Qualitative Theory of Differentiable Dynamical Systems Science Pr? Liao Shantao? SciencePr? LiaoShantao? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-53? Subjects-Science-General Subjects-Science-Technology-General&Reference Theory and Applications of Higher Dimensional Hadamard Matrices Science Pr? Yang Yixian? SciencePr? YangYixian? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-53? Subjects-Science-General Subjects-Science-Technology-General&Reference Wavelet Theory and Harmonic Analysis in Applied Sciences Birkhauser Verlag AG? Carlos Enrique D Attellis? Elena Fernandez-Berdaguer? BirkhauserVerlagAG? CarlosEnriqueD Attellis? ElenaFernandez-Berdaguer? ジャンル別? Subjects-Science-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-Applied? Subjects-Science-Technology-General&Reference Soft Computing for Risk Evaluation and Management Applications in Technology, Environment and Finance (Studies in Fuzziness and Soft Computing, 76) Physica Verlag? Da Ruan? Janusz Kacprzyk? Mario Fedrizzi? PhysicaVerlag? DaRuan? JanuszKacprzyk? MarioFedrizzi? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Science? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Finance-CorporateFinance? Subjects-Business&Investing-Finance-Finance&Investing? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-Accounting-General? Subjects-Business&Investing-Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-Security? Subjects-Computers&Internet-Networking-DataintheEnterprise-Accounting? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Nonfiction-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-Accounting-General? Subjects-Professional&Technical-Accounting&Finance-Accounting-General? Subjects-Professional&Technical-Accounting&Finance-Finance-General? Subjects-Professional&Technical-Accounting&Finance-Finance-CorporateFinance? Subjects-Professional&Technical-Accounting&Finance-Finance-Finance&Investing? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-Mathematics-Applied? Subjects-Science-Technology-General&Reference Soldadura Electrica - Y Sistemas TIG y Mag Paraninfo? Jose Maria Rivas Arias? Paraninfo? JoseMariaRivasArias? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference 2003 International Oil Spill Conference Proceedings Vancouver, B.c. April 6-10 2003 Amer Petroleum Inst? AmerPetroleumInst? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Nimesulide Actions And Uses Birkhauser (Architectural)? K. D. Rainsford? Birkhauser(Architectural)? K.D.Rainsford? ジャンル別? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Medicine-BasicScience-Immunology? Subjects-Medicine-Pharmacology-General? Subjects-Professional&Technical-Medical-BasicSciences-Immunology? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-Medical-BasicSciences-Pharmacology? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-BiologicalSciences-Anatomy? Subjects-Science-Medicine-BasicScience-Immunology? Subjects-Science-Medicine-Pharmacology-General? Integrated Scientific Computing with SciLab Birkhauser Verlag AG? Claude Gomez? Casey Bunks? Jean-Philipe Chancelior? Francois Delebecque? BirkhauserVerlagAG? ClaudeGomez? CaseyBunks? Jean-PhilipeChancelior? FrancoisDelebecque? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? Subjects-Computers&Internet? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Main Types of Geological Maps Purpose, Use And Preparation Technip Editions? Editions Technip? TechnipEditions? EditionsTechnip? ジャンル別? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Lead Markets Country-Specific Success Factors of the Global Diffusion of Innovations (Zew Economic Studies) Physica Verlag? Marian Beise? PhysicaVerlag? MarianBeise? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Science? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Business&Investing-Management&Leadership-ManagementScience? Subjects-Business&Investing-Marketing&Sales? Subjects-Engineering-Telecommunications-General? Subjects-Medicine-General? Subjects-Nonfiction-Economics-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-ManagementScience? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&PublicPolicy? Subjects-Science-Medicine-General? Dictionnaire Des Techniques Et Sciences Appliquees French-German Routledge? Routledge? ジャンル別? ユーズドブック(洋書)-Reference? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Reference-Dictionaries&Thesauruses-ForeignLanguage? Subjects-Reference-Dictionaries&Thesauruses-General? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-General? Subjects-Science-Education-Experiments&Projects? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-Technology-General&Reference Charkha and Chip Gyan Publishing House,India? Kamal Nayan Kabra? Laxmi Dass? GyanPublishingHouse,India? KamalNayanKabra? LaxmiDass? ジャンル別? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-Technology-General&Reference Diccionario Tecnico Ingles Espanol Ingles-Espanol Aims Intl Books Corp? Guy Malgorn? Maria Rodriguez Rodriguez? Pedro Armisen? AimsIntlBooksCorp? GuyMalgorn? MariaRodriguezRodriguez? PedroArmisen? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Subjects-Engineering-Reference? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Nonfiction-Education-LanguageInstruction? Subjects-Professional&Technical-Engineering-Reference? Subjects-Reference-ForeignLanguages? Subjects-Reference-General? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Innovations for Our Future Delphi '98 New Foresight on Science and Technology (Technology, Innovation, and Policy, 13) Physica Verlag? Kerstin Cuhls? Knut Blind? Hariolf Grupp? PhysicaVerlag? KerstinCuhls? KnutBlind? HariolfGrupp? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Science? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-ManagementScience? Subjects-Computers&Internet-Programming-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-ManagementScience? Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Nanotechnology? Subjects-Science-Technology-Innovations? Theory of Machines Chand (S.) & Co Ltd ,India? R.S. Khurmi? J.K. Gupta? Chand(S.)&CoLtd,India? R.S.Khurmi? J.K.Gupta? ジャンル別? Substores-UnknownASINs-53? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Technology-General&Reference Communication Skills for Technical Students Sangam Books Ltd? T.M. Farhathullah? SangamBooksLtd? T.M.Farhathullah? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Science? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-Business&Investing-BusinessLife-Communication-Meetings&Presentations? Subjects-Science-Technology-General&Reference Encyclopaedia of Technology Anmol Publications Pvt Ltd? Jagdish Chaudhary? AnmolPublicationsPvtLtd? JagdishChaudhary? ジャンル別? Subjects-Reference? Subjects-Science-Technology-General&Reference Science, Technology and Development in Afghanistan South Asia Books? D. Gopal? M. A. Qureshi? SouthAsiaBooks? D.Gopal? M.A.Qureshi? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Science? Substores-UnknownASINs-53? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-General Subjects-Science-Technology-General&Reference Shaping the Technology Era Stosius Inc/Advent Books Division? O. N. Wakhlu? G. L. Labru? StosiusInc/AdventBooksDivision? O.N.Wakhlu? G.L.Labru? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-53? Subjects-Science-Technology-General&Reference Technik und angewandte Wissenschaften. Italienisch-Deutsch. Rund 82 000 Fachbegriffe und 120 000 Uebersetzungen Langenscheidt Fachverlag? Zanichelli? LangenscheidtFachverlag? Zanichelli? ジャンル別? ユーズドブック(洋書)-Reference? Substores-UnknownASINs-51? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage-Italian? Subjects-Reference-Dictionaries&Thesauruses-ForeignLanguage-Italian? Subjects-Science-Technology-General&Reference Research And Technological Innovation The Challenge for a New Europe Physica Verlag? Alberto Quadrio Curzio? Marco Fortis? Alberto Quadrio Curzio? PhysicaVerlag? AlbertoQuadrioCurzio? MarcoFortis? AlbertoQuadrioCurzio? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-EconomicConditions? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Nonfiction-Economics-EconomicConditions? Subjects-Nonfiction-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicConditions? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-Technology-General&Reference Appropriate Technology for Rural Development in India South Asia Books? Floris P. Blankenberg? SouthAsiaBooks? FlorisP.Blankenberg? ジャンル別? ユーズドブック(洋書)-Science? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-History? Subjects-Science-Technology-General&Reference German-English Technical and Engineering Dictionary I B D Ltd? Louis De Vries? Theo M. Herrmann? IBDLtd? LouisDeVries? TheoM.Herrmann? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Subjects-Engineering-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Dictionaries&Thesauruses-English(All)? Subjects-Reference-Dictionaries&Thesauruses-ForeignLanguage? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Technology Transfer by Multinationals New World Order Series Three 2 Volume Set South Asia Books? Hans Wolfgang Singer? Neelambar Hatti? Rameshwar Tandon? SouthAsiaBooks? HansWolfgangSinger? NeelambarHatti? RameshwarTandon? ジャンル別? Substores-UnknownASINs-54? Subjects-Business&Investing-International-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Encyclopaedic History of Science and Technology Anmol Publications Pvt Ltd? G.R. Chhatwal? AnmolPublicationsPvtLtd? G.R.Chhatwal? ジャンル別? ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Subjects-Nonfiction-Philosophy-Science? Subjects-Reference? Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference English-German Technical and Engineering Dictionary I B D Ltd? L. Devries? T. Herrmann? IBDLtd? L.Devries? T.Herrmann? ジャンル別? ユーズドブック(洋書)-Reference? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-German? Subjects-Reference-Dictionaries&Thesauruses-English(All)? Subjects-Reference-Dictionaries&Thesauruses-ForeignLanguage? Subjects-Reference-Dictionaries&Thesauruses-General? Subjects-Reference-ForeignLanguages-Instruction-German? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Die Erfindungen des Dr. Konrad Adenauer Wunderlich Verlag? Peter Koch? WunderlichVerlag? PeterKoch? ジャンル別? ユーズドブック(洋書)-History? ユーズドブック(洋書)-Science? Subjects-History-Europe-Germany? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Science-Technology-General&Reference Worterbuch Der Industriellen Technik Oscar Brandstetter Verlag GmbH & Co KG? R. Ernst? OscarBrandstetterVerlagGmbH&CoKG? R.Ernst? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Substores-UnknownASINs-66? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Reference-Dictionaries&Thesauruses-ForeignLanguage? Subjects-Science-Technology-General&Reference Werner Sobek Art of Engineering Birkhauser (Architectural)? Werner Blaser? Birkhauser(Architectural)? WernerBlaser? ジャンル別? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Biographies&Memoirs? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? Subjects-Arts&Photography-Architecture-Drawing&Modelling-General? Subjects-Arts&Photography-Architecture-General? Subjects-Arts&Photography-Architecture-Architects,A-Z-General? Subjects-Biographies&Memoirs-General? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Professional&Technical-Architecture-Drawing&Modelling-General? Subjects-Professional&Technical-Architecture-General? Subjects-Professional&Technical-Architecture-Architects,A-Z-General? Subjects-Science-Technology-General&Reference The Art of Technology Management Orient Paperbacks,India? OrientPaperbacks,India? ジャンル別? Subjects-Business&Investing? Subjects-Science-Technology-General&Reference Monitoring of Vital Parameters During Extracorporeal Circulation S Karger AG? H.P. Kimmich? SKargerAG? H.P.Kimmich? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-50? Subjects-Science-Technology-General&Reference Geologia Paraninfo? Jose Maria Fuster? Bermudo Melendez? Fuster Melendez? Paraninfo? JoseMariaFuster? BermudoMelendez? FusterMelendez? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Technological Advance in the 3rd World Popular Prakashan Ltd ,India? M.R. Bhagavan? PopularPrakashanLtd,India? M.R.Bhagavan? ジャンル別? Subjects-Science-Technology-General&Reference Jaico Illustrated Encyclopaedia of Technical Terms Jaico Publishing House? JaicoPublishingHouse? ジャンル別? Subjects-Reference? Subjects-Science-Technology-General&Reference Recent Advances in Surfactant Research 13th International Workshop on Surfactant Replacement, Belfast, September 1998 (Biology of the Neonate Ser) S Karger Pub? Henry L. Halliday? Bengt Robertson? Tore Curstedt? O. D. Saugstad? C. P. Speer? SKargerPub? HenryL.Halliday? BengtRobertson? ToreCurstedt? O.D.Saugstad? C.P.Speer? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Science? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Medicine-Nursing-Pediatric&Neonatal? Subjects-Medicine-Specialties-Pathology-General? Subjects-Medicine-Specialties-Pediatrics-General? Subjects-Medicine-AlliedHealthProfessions-RespiratoryTherapy? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-General? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-Medicine-Nursing-Pediatric&Neonatal? Subjects-Science-Medicine-Specialties-Pathology-General? Subjects-Science-Medicine-Specialties-Pediatrics-General? Subjects-Science-Medicine-AlliedHealthProfessions-RespiratoryTherapy? Current Concepts in Surfactant Research (Progress in Respiratory Research) S Karger Pub? P. Von Wichert? SKargerPub? P.VonWichert? ジャンル別? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Science? Substores-UnknownASINs-50? Subjects-Medicine-AlliedHealthProfessions-RespiratoryTherapy? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-AlliedHealthProfessions-RespiratoryTherapy? Crossing Borders, Stretching Boundaries Manohar Publishers and Distributors? Stephan F.Von Welck? ManoharPublishersandDistributors? StephanF.VonWelck? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Outdoors&Nature-Environment? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Nature&Ecology-Environment? Subjects-Science-Technology-General&Reference Ancient Metal Technology and Archeology of South-Asia Aryan Books International? D.P. Agrawal? AryanBooksInternational? D.P.Agrawal? ジャンル別? ユーズドブック(洋書)-History? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-History-Ancient-General? Subjects-Nonfiction-SocialSciences-Anthropology? Subjects-Nonfiction-SocialSciences-Archaeology-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Archaeology-General? Stochastic Point Processes Narosa Pub House? A. Vijayakumar? S. K. Srinivasan? S. K. Srivasan? NarosaPubHouse? A.Vijayakumar? S.K.Srinivasan? S.K.Srivasan? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Substores-UnknownASINs-67? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-StochasticModeling? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Calculus? Subjects-Science-General Subjects-Science-Mathematics-PureMathematics-Calculus? Subjects-Science-Technology-General&Reference Technological Capacity A Contribution to a Comprehensive Understanding of Technology and Development in an International Perspective (Technology and Society Series, 5) Aalborg Universitetsforlag? Anne Lorentzen? AalborgUniversitetsforlag? AnneLorentzen? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Science? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-Economics-International? Subjects-Business&Investing-General? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-Exports&Imports? Subjects-Nonfiction-Economics-International? Subjects-Professional&Technical-Accounting&Finance-International-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports? Subjects-Science-Technology-General&Reference Carroceria Elementos Fijos - 3 Edicion Paraninfo? Tomas Gomez Morales? Paraninfo? TomasGomezMorales? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Manual del Piloto Agricola Mundiprensa? H. R. Quantick? Mundiprensa? H.R.Quantick? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Peces Marinos Mundiprensa? Carmen Bautista? Mundiprensa? CarmenBautista? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Invernaderos - Diseno, Construccion y Ambientacion Mundiprensa? Antonio Matallana Gonzalez? Juan Ignacio Montero Camacho? Mundiprensa? AntonioMatallanaGonzalez? JuanIgnacioMonteroCamacho? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Topografia General y Aplicada Mundiprensa? F. Dominguez Garcia? Mundiprensa? F.DominguezGarcia? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Calidad Alimentaria - Riesgos y Controles Agroindu Mundiprensa? J. L. Lopez Garcia? Mundiprensa? J.L.LopezGarcia? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書
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第11場 ロザリンデ、アイゼンシュタイン <アイゼンシュタイン> (フランクの先程の言葉を聞いて ひとりごと) 俺が同じくらい面白いって?アイゼンシュタインの何を知ってるっていうんだ?俺がアイゼンシュタインだとは知らんのだろうに! <ロザリンデ> (アイゼンシュタインの方へ歩み寄り、彼の腕を取って、彼の顔をじっと見つめる) <アイゼンシュタイン> (どぎまぎして) な、何? <ロザリンデ> (彼から離れて険しい顔で ひとりごと) この人の両手をふん縛ってやりたいわ でも今正体を明かすわけにはいかない! <アイゼンシュタイン> (ひとりごと) 炎を持っているかのようなこの熱情!ハンガリーの血!だが伯爵夫人や高貴なる貴族の物語を俺は信じない。彼女もこの時計にきっと食らいつくだろう! (時計を取りだす) <ロザリンデ> (ひとりごと) 何をしているのかしら?ああ、あの人さっき時計のことを話していたわね 数え切れないほどの女性を征服したという時計の! <アイゼンシュタイン> (時計をぶらぶら揺らす) <ロザリンデ> (作り声で) なんてカワイイ婦人用時計! <アイゼンシュタイン> ああ 彼女はキュートだな <ロザリンデ> どこでこのカワイイ時計を買われたの? <アイゼンシュタイン> 私はこれをとある宝石商で買いました、ひとりの親しいアーティストに私の敬意の印として贈るために <ロザリンデ> 来週、私はデビューを果たすの <アイゼンシュタイン> (ひとりごと) 伯爵夫人じゃなくてアーティストか! <ロザリンデ> 主は多くの美しさを教えてくださいました 試練を通じて <アイゼンシュタイン> (ひとりごと) この実験に賭けて見よう! ロザリンデ 失礼ですが侯爵、あなたは結婚されておられます? アイゼンシュタイン 私が?どうしてそんな風に思われるのですか! ロザリンデ (ひとりごと) この食わせ者! アイゼンシュタイン あなたにご質問してもいいですか:最後の瞬間にはそのマスクを取って下さらないのですか? ロザリンデ 今日は無理です、でも明日ならマスクなしであなたにお会いしますわ アイゼンシュタイン (当惑して) 明日じゃまずいんです ロザリンデ 明日じゃどうしてダメなのです? アイゼンシュタイン 私は...私は...明日には会議があって... ロザリンデ 会議? アイゼンシュタイン 密室で秘密の会議が! ロザリンデ 私も同席するかも知れないですわ! アイゼンシュタイン ご冗談を! (ひとりごと) この娘は本当にかわいいな! (時計を繰り返し揺らす) ロザリンデ (ひとりごと) あの時計さえ奪ってしまえば!それは動かぬ証拠よ! Nr. 9 - 二重唱 <アイゼンシュタイン> (ひとりごと) この物腰 とても上品 この腰つき 繊細でデリケート それにかわいい足 くちづけで 熱く覆ってみたいものだ 彼女が許してくれるのなら! <ロザリンデ> (ひとりごと) 牢屋の中で苦しむ代わりに 目いっぱい楽しんでるじゃない くちづけのこと考えてる 悔い改めもせずに 待ってなさい この悪党 お仕置きからは逃げられないわよ! <アイゼンシュタイン> ああ 何と軽やかに漂っているんだ この素敵な魔法の姿は! あなたのマスクを持ち上げて お顔を見せては下さいませんか? <ロザリンデ> あら ハンサムな殿方 お願いです 触ったりないで 無茶はしないで 品のあるマナーでお願いしますわ マスクには敬意を払ってくださいね (ひとりごと) 口説きたそうで 思わせぶりに じっとこっちを見てるけど 警戒もしてなきゃ 注意もしてないのね 教えてやりたいわ 目の前にいるのが誰だか! ええ すぐに私は成功するわ この悪党を後悔させるのに やってみましょう 彼が罠に落ちるか! <アイゼンシュタイン> (ひとりごと) 半分迷いながら 半分その気で 俺の前から離れているな! だけどやってみよう うまく行くか それとも拒まれるか? ああ すぐに俺は成功するさ 試してみるぜ 抵抗するのか それとも彼女が罠に落ちるか? (時計をちらつかせる) <ロザリンデ> (突然) ああ、なぜか目の前が真っ暗に 心臓が不安で張り裂けそう! <アイゼンシュタイン> (勝ち誇って) ハッ もう恋の始まりを告げているぞ 心臓が激しく鼓動してるんだ! <ロザリンデ> 残念でした これは昔からの持病なの だけど ちょっとの間でいいから 計って下さらない 私の心臓の打つ速さを あなたの時計のチクタクで? <アイゼンシュタイン> ああ、そんなのお安い御用! <ロザリンデ> 一緒に数えましょう お願い! <二人> 一緒に数えましょう! 一緒に数えましょう <アイゼンシュタイン> (彼は時計に耳を当てて 手を彼女の胸の上に当てる) いち に さん し <ロザリンデ> ご ろく なな きゅう! <アイゼンシュタイン> いや 違ってるよ 7の次は8だ <ロザリンデ> あなたが私を混乱させたのよ じゃあ交代しましょ <アイゼンシュタイン> 交代?どうやって? <ロザリンデ> 心臓の鼓動をあなたが数えて そして、私があなたの時計で計るの お願い 5分だけ! (アイゼンシュタインの持っている時計を受け取り) さあ あなたが数えて下さいね 侯爵さま! <アイゼンシュタイン> では始めましょう! <二人> いち に さん し ご ろく なな はち <ロザリンデ> 9、10、11、12、 13、14、15、16、 17、18、19、20、 30、40、50、60、 80、100! <アイゼンシュタイン> 6、7、8、9、10、11、12、 ホップ、ホップ、ホップ、ホップ、ギャロップで駆けて行って 六百と九! <ロザリンデ> そこまではまだ行かないでしょ! <アイゼンシュタイン> いや、もっと先まで行ってるよ! <ロザリンデ> 嘘でしょ <アイゼンシュタイン> 百万の半分、そう 百万の半分までさ! <ロザリンデ> どうしてそんなに飛ばして数えるの? <アイゼンシュタイン> 悪魔がそうやって数えさせてくれるのさ! <ロザリンデ> (時計を懐に入れて) 今日はもうおしまいにしましょう! <アイゼンシュタイン> 彼女は時計を自分のものにしちまった 俺の時計! <ロザリンデ> 心の底から感謝しますわ! <アイゼンシュタイン> そんなつもりじゃ... <ロザリンデ> ご冗談がお好きなのね! <アイゼンシュタイン> 彼女は網にはかからなかったし 俺の時計は取られちまった この遊びは少々高くついた 俺は思い切りコケにされちまった ああ 俺の時計 お願いだ それだけでも... 彼女は網にはかからなかった ああ 俺の時計 それだけでも返してくれ ああ くやしい ああ くやしい この遊びは少々高くついた 俺は思い切りコケにされちまった 時計は取られちまったし ああ 俺はコケにされた!チキショウ! <ロザリンデ> (アイゼンシュタインの声に勝ち誇ったように寄り添って) あああ! ELFTER AUFTRITT Rosalinde. Eisenstein. EISENSTEIN der das letzte gehört hat, für sich Ich bin gerade so lustig wie ich? Was weiss er denn von Eisenstein? Er kennt mich ja als Eisenstein gar nicht! ROSALINDE tritt auf Eisenstein zu, ergreift ihn beim Arm, sieht ihm lange und scharf ins Gesicht. EISENSTEIN verlegen Nanu? ROSALINDE lässt von ihm ab, grimmig für sich Wie gern ich ihn beim Schopfe nehmen möchte; aber ich darf mich nicht verraten! EISENSTEIN für sich Sapperlot, die scheint Feuer zu haben! Ungarisch Blut! An das Märchen von der Gräfin und der hohen Aristokratie glaube ich nicht. Sie wird auf die Uhr anbeissen wie die andern! zieht die Uhr hervor ROSALINDE für sich Was hat er vor? Ah, er sprach ja vorhin von seiner Uhr, der er unzählige Eroberungen verdankt! EISENSTEIN lässt die Uhr repetieren. ROSALINDE mit verstellter Stimme Welch allerliebste Damenuhr! EISENSTEIN Ja, sie ist niedlich. ROSALINDE Wo kauft man denn so niedliche Uhren? EISENSTEIN Ich habe sie beim Juwelier gekauft, um sie einer liebenswürdigen Künstlerin als Zeichen meiner Huldigung darzubringen. ROSALINDE In der nächsten Woche werde ich debütieren. EISENSTEIN für sich Also nicht Gräfin, sondern Künstlerin! ROSALINDE Der Herr Intendant hat mir viel Schönes auf der Probe gesagt. EISENSTEIN für sich Auf mein Experiment kann ich mich verlassen! ROSALINDE Um Vergebung, Herr Marquis, sind Sie verheiratet? EISENSTEIN Ich? Wie können Sie so etwas glauben! ROSALINDE für sich Du Erzheuchler! EISENSTEIN Erlauben Sie auch mir eine Frage wäre es nicht endlich an der Zeit, ein wenig die Maske zu lüften? ROSALINDE Heute nicht; aber morgen will ich mich Ihnen ohne Maske zeigen. EISENSTEIN ärgerlich Morgen ist es nicht möglich. ROSALINDE Warum nicht morgen? EISENSTEIN Ich ... ich ... habe Sitzung morgen. ROSALINDE Sitzung? EISENSTEIN Eine geheime Sitzung unter Ausschluss der Öffentlichkeit! ROSALINDE Vielleicht werde ich auch dabeisein! EISENSTEIN Sie scherzen! für sich Sie ist wirklich zum Entzücken! lässt die Uhr repetieren ROSALINDE für sich Wenn ich nur die Uhr erwischen könnte! Das wäre ein treffliches Corpus delicti! Nr. 9 - Duett EISENSTEIN für sich Dieser Anstand, so manierlich, Diese Taille, fein und zierlich Und ein Füsschen, das mit Küssen Glühend man bedecken sollt, Wenn sie s nur erlauben wollt! ROSALINDE für sich Statt zu schmachten im Arreste Amüsiert er sich aufs beste, Denkt ans Küssen statt ans Büssen; Warte nur, du Bösewicht, Du entgehst der Strafe nicht! EISENSTEIN Ach, wie leicht könnt es entschweben, Dies holde Zauberbild! Willst du nicht die Maske heben, Die dein Antlitz mir verhüllt? ROSALINDE Ei, mein schöner Herr, ich bitte, Nicht verwegen, nichts berührt; Denn es heischt die gute Sitte, Dass man Masken respektiert. für sich Wie er girret, kokettieret, Wie er schmachtend mich fixieret! Keine Mahnung, keine Ahnung Kündet ihm, wer vor ihm steht! Ja, bald werd ich reüssieren, Will den Frevler überführen, Will s probieren, ob er in die Falle geht! EISENSTEIN für sich Halb verwirret, halb gerühret, Retirieret sie vor mir! Lasst doch sehn, ob es geht, Ob sie widersteht? Ja, bald werd ich reüssieren, Ich will doch sehn, ob sie mir widersteht, Ob sie in die Falle geht? lässt die Uhr repetieren ROSALINDE plötzlich Ach, wie wird mein Auge trübe, Wie das Herz so bang mir schlägt! EISENSTEIN triumphierend Ha, schon meldet sich die Liebe, Die das Herz ihr bang bewegt! ROSALINDE Leider ist s ein altes Übel, Doch vorübergehend nur. Stimmen meines Herzens Schläge Mit dem Tiktak einer Uhr? EISENSTEIN Ei, das können wir gleich sehn! ROSALINDE Zählen wir, ich bitte schön! BEIDE Ja, zählen wir, ja, zählen wir! EISENSTEIN indem er die Uhr ans Ohr, die Hand auf ihr Herz legt Eins, zwei, drei, vier ... ROSALINDE Fünf, sechs, siebn, neun! EISENSTEIN Nein, das kann nicht sein, Denn nach der Sieben kommt erst die Acht! ROSALINDE Sie haben mich ganz verwirrt gemacht, Wir wollen wechseln. EISENSTEIN Wechseln? Wie? ROSALINDE Den Schlag des Herzens zählen Sie Und ich das Tiktak Ihrer Uhr. Ich bitt auf fünf Minuten nur! nimmt die Uhr, die ihr Eisenstein reicht. Jetzt zählen Sie, mein Herr Marquis! EISENSTEIN Bin schon dabei! BEIDE Eins, zwei, drei, vier Fünf, sechs, siebn, acht! ROSALINDE Neun, zehn, elf, zwölf, Dreizehn, vierzehn, fünfzehn, sechzehn, Siebzehn, achtzehn, neunzehn, zwanzig, Dreissig, vierzig, fünfzig, sechzig, Achtzig, hundert! EISENSTEIN Sechs, siebn, acht, neun, zehn, elf, zwölf, Hopp, hopp, hopp, hopp, das geht im Galopp Sechshundertundneun! ROSALINDE So weit können wir noch nicht sein! EISENSTEIN Oh, ich bin weiter schon! ROSALINDE Nein, nein! EISENSTEIN Eine halbe Million, ja, eine halbe Million! ROSALINDE Wie kann man gar so grob nur fehlen? EISENSTEIN Da mag der Teufel richtig zählen! ROSALINDE steckt die Uhr ein Heute wirst du nimmer repetieren! EISENSTEIN Sie will die Uhr sich annektieren, Meine Uhr! ROSALINDE Ich danke von Herzen! EISENSTEIN Ich wollte nur ... ROSALINDE Belieben zu scherzen! EISENSTEIN Sie ist nicht ins Netz gegangen, Hat die Uhr mir abgefangen. Dieser Spass ist etwas teuer, Hab blamiert mich ungeheuer. Ach, meine Uhr, ich bitte sehr, Ich wollte nur ... Sie ist nicht ins Netz gegangen, Ach, meine Uhr, hätte ich sie wieder nur. O weh, o weh, dieser Spass ist etwas teuer, Hab blamiert mich ungeheuer. Meine Uhr ist annektiert, Ach, ich bin blamiert! Weh mir! ROSALINDE begleitet Eisensteins Gesang mit einem übermütigen Ach, ja, ja! この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@ 藤井宏行 Strauss,Johann II/Die Fledermaus/II-4
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Rostock - Nur Stunden nach dem Wiederauftauchen einer vermissten 17-Jährigen aus Rostock hat die Polizei am Dienstag einen 28-jährigen Mann wegen des Verdachts der Freiheitsberaubung festgenommen. Das teilten die Ermittler am Abend mit. Dem mehrfach vorbestraften Rostocker wird zudem Körperverletzung und Nötigung vorgeworfen. Dreieinhalb Stunden vor der Festnahme war die 17-jährige Rebecca nach tagelanger Suche durch Freunde, Angehörige, Polizei und Feuerwehr gefunden worden - in einem Gebüsch unweit ihres Wohnorts. Das Mädchen war seit Samstagfrüh vermisst worden, nachdem es einen Club am Rostocker Stadthafen verlassen hatte. Es werde derzeit ärztlich und psychologisch betreut, teilte die Polizei am Dienstagabend mit.dapd SZ vom 17.10.2012 自作PC 大学受験情報
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Control Panel Reference SynthEyes has the following control panels · Summary Panel · Rotoscope Control Panel · Feature Control Panel · Tracking Control Panel. · Lens Control Panel. · Solver Control Panel. · Coordinate System Control Panel. · 3-D Control Panel. · Lighting Control Panel. · Flex/Curve Control Panel. Select via the control panel selection portion of the main toolbar. The Graph Editor icon appears in the toolbar area to indicate a nominal workflow, but it launches a floating window. Additional panels are described below · Add Many Trackers Dialog · Advanced Features · Clean Up Trackers · Coalesce Nearby Trackers · Curve tracking control · Finalize Trackers · Fine-Tuning Panel · Green-screen control · Hard and Soft Lock Controls · Hold Tracker Preparation Tool · Image Preparation · Spinal Editing Control The shot-setup dialog is described in the sectionOpening the Shot. Spinners SynthEyes uses spinners, the stacked triangles on the right of the following graphic ( ), to permit easy adjustment of numeric fields on the control panels. The spinner control provides the following features · Click either triangle to increase or decrease the value in steps, · Drag within the control to smoothly increase and decrease the value, · Turns red on key frames, · Right-click to remove a key, or if none, to reset to a predefined value, · Shift-drag or -click to change the value much more rapidly, · Control-drag or -click to change the value slowly for fine-tuning. Tool Bar New, Open, Save, Undo, Redo. Buttons. Standard Windows (only). Use the Undo/Redo menu items instead to see what function will be undone or redone. (Control Panel buttons). Changes the active control panel. Forward/Backward (/). Button. Changes the current playback and tracking direction. Reset Time. Button. Resets the timebar so that the entire shot is visible. Fill. Button. The camera viewport is reset so that the entire image becomes visible. Shift-fill sets the zoom to 1 1 horizontally. Viewport Configuration Select. List box. Selects the viewport configuration. Use the viewport manager on the Window menu to modify or add configurations. Camera01. Active camera/object. Click to cycle through the cameras and objects. Play Bar Rewind Button. Rewind back to the beginning of the shot. Back Key Button. Go backwards to the previous key of the selected tracker or object. Frame Number. Numeric Field. Sequential frame number, starting at zero or at 1 if selected on thepreferences. Forward Key Button. Go forward to the next key of the selected tracker or object. To End Button. Go to the last frame of the shot. Frame Backwards. Button. Go backwards one frame. Auto-repeats. Play/Stop/. Button. Begin playing the shot, forwards or backwards, at the rate specified on the View menu. Frame Forward. Button. Go forwards one frame. Auto-repeats. Summary Panel Auto.(the big green one)Run the entire match-move process create features(blips), generate trackers, and solve. If no shot has been set up yet, you will be prompted for that first, so this is truly a one-stop button. See alsoSubmit for Batch. Motion Profile.Select one of several profiles reflecting the kinds of motion the image makes. UseCrash Panfor when the camera spins quickly, for example, to be able to keep up. Or useGentle Motionfor faster processing when the camera/image moves only slightly each frame. Green Screen.Brings up thegreen-screencontrol dialog. Zoom Lens.Check this box if the camera zooms. On Tripod.Check this box if the camera was on a tripod. Hold.Animated Button. Use to create hold regions to handle shots with amix of normal and tripod-modesections. Fine-tune.Performs an extra stage of re-tracking between the initial feature tracking and the solve. Thisfine-tuning passcan improve the sub-pixel stability of the trackers on some shots. Settings.Launches the settings panel for fine-tuning. Run Auto-tracker.Runs the automatic tracking stage, then stops. Solve.Runs the solver. Not solved.This field will show the overall scene error, in horizontal pixels, after solving. Coords(共同作用).Initiates a mode where 3 trackers can be clicked to define a coordinate system. After the third, you will have the opportunity to re-solve the scene to apply the new settings. Same as *3 on the Coordinate System panel. 3つのトラッカーが座標系を定めるためにクリックすることができるモードを始めます。 第3の後、新しいセッティングを適用するためにシーンを再解析することがあると思います。 座標系パネルの*3と同じです。 Master Solution Reset ().Clear any existing solution points and object paths. Rotoscope Control Panel The roto panel controls the assignment of a shot s blips to cameras or objects. The roto mask can also be written as an alpha channel or RGB image using the image preprocessor. Spline/Object List. An ordered list of splines and the camera or object they are assigned to. The default Spline1 is a rectangle containing the entire image. A feature is automatically assigned to the camera/object of thelastspline in the list that contains the feature. Double-click a spline to rename it as desired. Camera/Object Selector. Drop-down list. Use to set the camera/object of the spline selected in the Spline/Object List. You can also selectGarbageto set the spline as a garbage matte. Show this spline. Checkbox. Turn on and off to show or hide the selected spline. Also see the View/Only Selected Splines menu item. Key all CPs if any. Checkbox. When on, moving any control point will place a key on all control points for that frame. This can help make keyframing more predictable for some splines. Enable. Button. Animatable spline enable. Create Circle. Lets you drag out circular splines. Create Box. Lets you drag out rectangular splines. Magic Wand. Lets you click out arbitrarily-shaped splines with many control points. Delete. Deletes the currently-selected spline. Move Up. Push button. Moves the selected spline up in the Spline/Object List, making it lower priority. Move Down. Push button. Moves the selected spline down in the Spline/Object List, making it higher priority. Shot Alpha Levels. Integer spinner. Sets the number of levels in the alpha channel for the shot. For example, select 2 for an alpha channel containing only 0 or 1(255), which you can then assign to a camera or moving object. Object Alpha Level. Spinner. Sets the alpha level assigned to thecurrentcamera or object. For example, with 2 alpha levels, you might assign level 0 to the camera, and 1 to a moving object. The alpha channel is used to assign a feature only if it is not contained in any of the splines. Import Tracker to CP. Button. When activated, select a tracker then click on a spline control point. The tracker s path will be imported as keys onto the control point. Feature Control Panel Motion Profile.Select one of several profiles reflecting the kinds of motion the image makes. UseCrash Panfor when the camera spins quickly, for example, to be able to keep up. Or useGentle Motionfor faster processing when the camera/image moves only slightly each frame. Clear all blips.Clears the blips from all frames. Use to save disk space after blips have been peeled to trackers. Blips this frame. Push button. Calculates features (blips) for this frame. Blips playback range. Push button. Calculates features for the playback range of frames. Blips all frames. Push button. Calculates features for the entire shot. Displays the frame number while calculating. Once started, can’t be interrupted! Delete. Button. Clears the skip frame channel from this frame to the end of the shot, or the entire shot if Shift is down when clicked. Skip Frame. Checkbox. When set, this frame will be ignored during automatic tracking and solving. Use (sparingly) for occasional bad frames during explosions or actors blocking the entire view. Camera paths are spline interpolated on skipped frames. Advanced. Push button. Brings up a panel with additional control parameters. Link frames. Push button. Blips from each frame in the shot are linked to those on the prior frame (depending on tracking direction). Useful after changes in splines or alpha channels. Peel. Mode button. When on, clicking on a blip adds a matching tracker, which will be utilized by the solving process. Use on needed features that were not selected by the automatic tracking system. Peel All. Push button. Causes all features to be examined and possibly converted to trackers. To Golden. Push button. Marks the currently-selected trackers as “golden,” so that they won’t be deleted by the Delete Leaden button. Delete Leaden. Push button. Deletes all trackers, except those marked as “golden.” All manually-added trackers are automatically golden, plus any automatically-added ones you previously converted to golden. This button lets you strip out automatically-added trackers. Tracking Control Panel The tracker panel has two variations with different sizes for the tracker view area, and slightly different button locations. The wider version gives a better view of the interior of the panel, especially on high-resolution displays. The smaller version is a more compact layout that reduces mouse motion, and because of the reduced size, is better for use on laptops. Select the desired version using theWider tracker-view panelpreference. Tracker Interior View. Shows its interior---the inner box of the tracker.Left Mouse Drag the tracker location.Middle Scroll Advance the current frame, tracking as you go.Right Mouse Add or remove a position key at the current frame. Or, cancel a drag in progress. Create. Mode Button. When turned on, depressing the left mouse button in the camera view creates new trackers. When off, the left mouse button selects and moves trackers. Delete. Button (also Delete key). Deletes the selected tracker. Finish. Button. Brings up the finalize dialog box, allowing final filtering and gap filtering as a tracker is locked down. Lock. Button. Non-animated enable, turn on when tracker is complete; will then be locked. Tracker Type.,,,. Button. Toggles the tracker type among normal match-mode, dark spot, bright spot, or symmetric spot. Direction. Button. Configures the tracker for backwards tracking it will only track when playing or stepping backwards. Enable. Button. Animated control turns tracker on or off. Turn off when tracker gets blocked by some thing, turn back on when it becomes visible again. Contrast. Number-less spinner. Enhances contrast in the Tracker Interior View window. Bright. Number-less spinner. Turns up the Tracker Interior View brightness. Color. Rectangular swatch. Sets the display color of the tracker for the camera, perspective, and 3-D views. Now. Button. Adds a tracker position key at the present location and frame. Right-click to remove a position key. Shift-right-click to truncate, removing all following keys. Key. Spinner tells SynthEyes to automatically add a key after this many frames, to keep the tracker on track. Key Smooth. Spinner. Tracker s path will be smoothed for this many frames before each key, so there is no glitch due to re-setting a key. Name. Edit field. Adjust the tracker s name to describe what it s tracking. Pos. H and V spinners. Tracker s horizontal and vertical position, from –1 to +1. You can delete a key (border is red) by right-clicking. Shift-right-clicking will truncate the tracker after this frame. Size. Size and aspect spinners. Size and aspect ratio (horizontal divided by vertical size) of the interior portion of the tracker. Search. H and V spinners. Horizontal and vertical size of the region (excluding the actual interior) that SynthEyes will search for the tracker around its position in the preceding frame. Preceding implies lower-numbered for forward tracking, higher-numbered for backward tracking. Weight. Spinner. Defaults to 1.0. Multiplier that helps determine the weight given to the 2-D data for each frame from this tracker. Higher values cause a closer match, lower values allow a sloppier match.WARNING This control is for experts and should be used judiciously and infrequently. It is easy to use it to mathematically destabilize the solving process, so that you will not get a valid solution at all. Keep near 1. Also see ZWTs below. Exact. For use after a scene has already been solved set the tracker s 2-D position to the exact re-projected location of the tracker s 3-D position. A quick fix for spurious or missing data points, do not overuse. See the section onfiltering and filling gaps. Note applied to a zero-weighted-tracker, error will not become zero because the ZWT will re-calculate using the new 2-D position, yielding a different 3-D and then 2-D position. F n.nnnhpix.(display field, right of Exact button) Shows the distance, in horizontal pixels, between the 2-D tracker location and the re-projected 3-D tracker location. Valid only if the tracker has been solved. ZWT. When on, the tracker s weight is internally set to zero—it is a zero-weighted-tracker (ZWT), which does not affect the camera or object s path at all. As a consequence, its 3-D position can be continually calculated as you update the 2-D track or change the camera or object path, or field of view. The Weight spinner of a ZWT will be disabled, because the weight is internally forced to zero and special processing engaged. The grayed-out displayed value will be the original weight, which will be restored if ZWT mode is turned off. T n.nnnhpix.(display field, right of ZWT button) Shows the total error, in horizontal pixels, for the solved tracker. This is the same error as from the Coordinate System panel. It updates dynamically during tracking of a zero-weighted tracker. Lens Control Panel Field of View. Spinner. Field of view, in degrees, on this frame. Focal Length. Spinner. Focal length, computed using the current Back Plate Width on Scene Settings. Provided for illustration only. Add/Remove Key., Button. Add or remove a key to the field of view (focal length) track at this frame. Known. Radio Button. Field of view is already known (typically from an earlier run) and is taken from the field of view seed track. May be fixed or zooming. You will be asked if you want to copy the solved FOV track to the seed FOV track—do that if you want to lock down the solved FOV. Fixed, Unknown. Radio Button. Field of view is unknown, but did not zoom during the shot. Fixed, with Estimate. Radio Button. Camera did not zoom, and a reasonable estimate of the field of view is available and has been set into the beginning of the lens seed track. This mode can make solving slightly faster and more robust.Important verify that you know, and have entered, the correct plate size before using any on-setfocal lengthvalues. A correct on-set focal length with an incorrect plate size makes the focal length useless, and this setting harmful. Zooming, Unknown. Radio Button. Field of view zoomed during shot. Lens Distortion. Spinner. Show/change the lens distortion coefficient. Calculate Distortion. Checkbox. When checked, SynthEyes will calculate the lens distortion coefficient. You should have plenty of well-distributed trackers in your shot. Add Line. Checkbox. Adds an alignment line to the image that you can line up with a straight line in the image, adjust the lens distortion to match, and/or use it for tripod or lock-off scene alignment. Kill Line. Checkbox. Removes the selected alignment line (the delete key also does this). Control-click to delete all the alignment lines at once. Axis Type. Drop-down list. Not oriented, if the line is only there for lens distortion determination, parallel to one of the three axes, along one of the three (XYZ) axes, or along one of the three axes, with the length specified by the spinner. Configures the line for alignment. - . Button. Swaps an alignment line end for end. The direction of a line is significant and displayed only for on-axis lines. Length. Spinner. Sets the length of the line to control overall scene sizing during alignment. Only a single line, which must be on-axis, can have a length. Atnnnf.Button. Shows(not set)if no alignment lines have been configured. This button shows the (single) frame on which alignment lines have been defined and alignment will take place; clicking the button takes you to this frame. Set each time you change an alignment line, or right-click the button to set it to the current frame. Align!Button. Aligns the scene to match the alignment lines defined—on the frame given by theAt…button. Other frames are adjusted correspondingly. To sequence through all the possible solutions,control-click this button. Solver Control Panel Go!Button. Starts the solving process, after tracking is complete. Master Reset. Button. Resets all cameras/objects and the trackers on them, though all Disabled camera/objects are left untouched. Control-click to clear the seed path, and optionally the seed FOV (after confirmation). Error. Number display. Root-mean-square error, in horizontal pixels, of all trackers associated with this object or tracker. Seeding Method.Upper drop-down list controlling the way the solver begins its solving process, chosen from the following methods Auto. List Item. Selects the automatic seeding(initial estimation) process, for a camera that physically moves during the shot. Refine. List item. Resumes a previous solving cycle, generally after changes in trackers or coordinate systems. Tripod. List Item. Use when the camera pans, tilts, and zooms, but does not move. Refine Tripod. List item. Resumes a previous solving cycle, but indicates that the camera was mounted on a tripod. Indirect. List Item. Use for camera/objects which will be seeded from links to other camera/objects, for example, a DV shot indirectly seeded from digital camera stills. Individual. List Item. Use for motion capture. The object s trackers are solved individually to determine their path, using the same feature on other “Individual” objects; the corresponding trackers are linked in one direction. Points. List Item. Seed from seed points, set up from the 3-D trackers panel. Use with on-set measurement data, or afterSet Allon the Coordinate Panel. You should still configure coordinate system constraints with this mode some hard locks and/or distance constraints. Path. List Item. Uses the camera/object s seed path as a seed, for example, from a previous solution or a motion-controlled camera. Disabled. List Item. This camera/object is disabled and will not be solved for. Directional Hint. Second drop-down list. Gives a hint to speed the initial estimation process, or to help select the correct solution, or to specify camera timing for “Individual” objects. Chosen from the following for Automatic objects Automatic. List Item. In automatic seeding mode, SynthEyes can be given a hint as to the general direction of motion of the camera to save time. With the automatic button checked, it doesn’t need such a hint. Left. List Item. The camera moved generally to its left. Right. List Item. The camera moved generally to its right. Up. List Item. The camera moved generally upwards. Down. List Item. The camera moved generally downwards. Push In. List Item. The camera moved forward (different than zooming in!). Pull Back. List Item. The camera moved backwards (different than zooming out!). Camera Timing Setting. The following items are displayed when “Individual” is selected as the object solving mode. They actually apply to the entire shot, not just the particular object. Sync Locked. List Item. The shot is either the main timing reference, or is locked to it (ie, gen-locked video camera). Crystal Sync. List Item. The camera has a crystal-controlled frame rate (ie a video camera at exactly 29.97 Hz), but it may be up to a frame out of synchronization because it is not actually locked. Loosely Synced. List item. The camera s frame rate may vary somewhat from nominal, and will be determined relative the reference. Notably, a mechanical film camera. Slow but sure. Checkbox. When checked, SynthEyes looks especially hard (and longer) for the best initial solution. Constrain. Checkbox for experts. When on, constraints set up using the coordinate system panel are applied rigorously, modifying the tracker positions. When off, constraints are used to position, size, and orient the solution, without deforming it. Seealignment vs constraints. Hold.Animated Button. Use to create hold regions to handle shots with amix of normal and tripod-modesections. Begin. Spinner and checkbox. Numeric display shows an initial frame used by SynthEyes during automatic estimation. With the checkbox checked, you can override the begin frame solution. Either manually or automatically, the camera should have panned or tilted only about 30 degrees. If the camera does something wild between the automatically-selected frames, or if their data is particularly unreliable for some reason, you can manually select the frames instead. The selected frame will be selected as you adjust this, and the number of frames in common shown on the status line. End. Spinner and checkbox. Numeric display shows a final frame used by SynthEyes during automatic estimation. With the checkbox checked, you can override the end frame solution. World size. Spinner. Rough estimate of the size of the scene, including the trackers and motion of the camera. Transition Frms. Spinner. When trackers first become usable or are about to become unusable, SynthEyes gradually reduces their impact on the solution, to maintain an undetectable transition. The value specifies how many frames to spread the transition over. Filter Frms. Spinner. Controls post-solving path filtering. If this control is set to 3, say, then each frame s camera position is a (weighted) average of its position within 3 frames earlier and 3 frames later in the sequence. A larger number creates a smoother path, butincreaseserrors. Overall Weight. Spinner. Defaults to 1.0. Multiplier that helps determine the weight given to the data for each frame from this object s trackers. Lower values allow a sloppier match, higher values cause a closer match, for example, on a high-resolution calibration sequence consisting of only a few frames.WARNING This control is for experts and should be used judiciously and infrequently. It is easy to use it to mathematically destabilize the solving process, so that you will not get a valid solution at all. Keep near 1. More. Button. Brings up or takes down the Hard and Soft Lock Controls dialog. Axis Locks. 7 Buttons. When enabled, the corresponding axis of the current camera or object is constrained to match the corresponding value from the seed path. These constraints are enforced either loosely after solving, with Constrain off, or tightly during solving, with Constrain on. See the section onConstraining Camera or Object Position. Animated. Right-click to remove a key on the current frame. L/R. Left/right axis (ie X) F/B. Front/back axis (Y or Z) U/D. Up/down axis (Z in Z-up or Y in Y-up) FOV. Camera field of view (available/relevant only for Zoom cameras) Pan. Pan angle around ground plane Tilt. Tilt angle up or down from ground plane Roll. Roll angle from vertical Never convert to Far.Normally, SynthEyes monitors trackers during 3-D solves, and automatically converts trackers to Far if they are found to be too far away. This strategy backfires if the shot has very little perspective to start with, as most trackers can be converted to far. Use this checkbox if you wish to try obtaining a 3-D solve for your nearly-a-tripod shot. Coordinate System Control Panel Tracker Name. Edit. Shows the name of selected tracker, or change it to describe what it is tracking. Camera/Object. Drop-down list. Shows what object or camera the tracker is associated with; change it to move the tracker to a different object or camera on the same shot (or, you can clone it there for special situations). Entries beginning with asterisk(*) are on a different shot with the same aspect and length; trackers may be moved there, though this may adversely affect constraints, lights, etc. *3. Button. Starts and controls three-point coordinate setup mode. Click it once to begin, then click on origin, on-axis, and on-plane trackers in the camera view, 3-D viewports, or perspective window. The button will sequence through Or, LR, FB, and Pl to indicate which tracker should be clicked next. Click this button to skip from LR (left/right) to FB (front/back), or to skip setting other trackers. After the third tracker, you will have the opportunity to re-solve the scene to apply the new settings. Seed Lock Group X, Y, Z.Buttons. Multi-choice buttons flip between X, X+, X-; Y, Y+, Y-; and Z, Z+,Z- respectively. These buttons control which possible coordinate-system solution is selected when there are several possibilities. Only significant when the tracker is locked on one or two axes. X, Y, Z. Spinners. An initial position used as a guess at the start of solving (if seed checkbox on), and/or a position to which the tracker is locked, depending on the Lock Type list. Seed. Mode button. When on, the X/Y/Z location will be used to help estimate camera/object position at the start of solving, if Points seeding mode is selected. Peg. Mode button. If on, and the Solver panel s Constrain checkbox is on, the tracker will be pegged exactly, as selected by the Lock Type. Otherwise, the solver may modify the constraints to minimize overall error. See documentation for details and limitations. Far. Mode button. Turn on if the tracker is far from the camera. Example If the camera moved 10 feet during the shot, turn on for any point 10,000 feet or more away. Far points are on the horizon, and their distance can not be estimated. This button states yourwish, SynthEyes may solve a tracker as far anyway, if it is determined to have too little perspective. Lock Type. Drop-down list. Has no effect if Unlocked. The other settings tell SynthEyes to force one or more tracker position coordinates to 0 or the corresponding seed axis value. Use to lock the tracker to the origin, the floor, a wall, a known measured position, etc. See the section onLock Mode Details. If you select several trackers, some with targets, some without, this list will be empty—right-click the Target Point button to clear it. Target Point. Button. Use to set up links between trackers. Select one tracker, click the Target Point button to select the target tracker by name. Or, ALT-click (Mac Command-Left-Click) the target tracker in the camera view or 3-D viewport. If the trackers are on the same camera/object, the Distance spinner activates to control the desired distance between the trackers. You can also lock one or more of their coordinates to be identical, forcing them parallel to the same axis or plane. If the trackers are on different camera/objects, you have created a link the two trackers will be forced to the same location during solving. If two trackers track the same feature, but one tracker is on a DV shot, the other on digital camera stills, use the link to make them have the same location. Right-click to remove an existing target tracker. Dist. Spinner. Sets the desired distance between two trackers on the same object. Solved. X, Y, Z numbers. After solving, the final tracker location. Error. Number. After solving, the root-mean-square error between this tracker s predicted and actual positions. If the error exceeds 1 pixel, look for tracking problems using the Tracker Graph window. [FAR]. This will show up after the error value, if the tracker has been solved as far. Set Seed. Button. After solving, sets the computed location up as the seed location for later solver passes using Points mode. All. Button. Sets up all solved trackers as seeds for subsequent passes. Exportable. Checkbox. Uncheck this box to tell savvy export scripts not to export this tracker. For example, exporting to a compositor, you may want only a half dozen of a hundred or two automatically-generated trackers to be exported and create a new layer in the compositor. Non-exportable points are shown in a different color, somewhat closer to that of the background. 3-D Control Panel Creation Mesh Type. Drop-down. Selects the type of object created by the Create Tool. Create Tool. Mode button. Clicking in a 3-D viewport creates the mesh object listed on the creation mesh type list, such as a pyramid or Earthling. Most mesh objects require two drag sequences to set the position, size, and scale. Note that mesh objects are different than objects created with the Shot Menu s Add Moving Object button. Moving objects can have trackers associated with them, but are themselves null objects. Mesh objects have a mesh, but no trackers. Often you will create a moving object and its trackers, then add a mesh object(s) to it after solving to check the track. Object name. Editable drop-down. The name of the object selected in the 3-D or camera viewports. Changeable. Delete. Button. Deletes the selected object. Lock Selection. Mode button. Locks the selection in the 3-D viewport to prevent inadvertent reselection when moving objects. World/Object. Mode button. Switches between the usual world coordinate system, and the object coordinate system where everything else is displayed relative to the current object or camera, as selected by the shot menu. Lets you add a mesh aligned to an object easily. Move Tool. Mode button. Dragging an object in the 3-D viewport moves it. Rotate Tool. Mode button. Dragging an object in the 3-D viewport rotates it about the axis coming up out of the screen. Scale Tool. Mode button. Dragging an object in the 3-D viewport scales it uniformly. Use the spinners to change each axis individually. Make/Remove Key., Button. Adds or removes a key at the current frame for the currently-selected object. Show/Hide. Button. Show or hide the selected mesh object. Object color. Color Swatch. Object color, click to change. X/Y/Z Values. Spinners. Display X, Y, or Z position, rotation or scale values, depending on the currently-selected tool. Size. Spinner. This is an overall size spinner, use it when the Scale Tool is selected to change all three axis scales in lockstep. Whole. Button. When moving a solved object, normally it moves only for the current frame, allowing you to tweak particular frames. If you turn on Whole, moving the object moves the entire path, so you can adjust your coordinate system without using locks. If you do this, you should set up some locks subsequently and switch to Point or Path seeding, or you will have to readjust the path again if you re-solve.Hint Whole mode has some rules to decide whether or not to affect meshes. To force it to include all meshes in the action, turn onWhole affects mesheson the 3-D viewport and perspective window s right-click menu. Blast. Button. Writes the entire solved history onto the object s seed path, so it can be used for path seeding mode. Reset. Button. Clears the object s solved path, exposing the seed path. Cast Shadows. (Mesh) Object should cast a shadow in the perspective window. Catch Shadows. (Mesh) Object should catch shadows in the perspective window. Back Faces. Draw the both sides of faces, not only the front. Invert Normals. Make the mesh normals point the other way from their imported values. Lighting Control Panel New Light. Button. Click to create a new light in the scene. Delete Light. Button. Delete the light in the selected-light drop-down list. Selected Light. Drop-down list. Shows the select light, and lets you change its name, or select a different one. Far-away light. When checked, light is a distant, directional, light. When off, light is a nearby spotlight or omnidirectional(point) light. Compute over frames This, All, Lock. In the (normal) This mode, the light s position is computed for each frame independently. In the All or Lock mode, the light s position is averaged over all the frames in the sequence. In the All mode, this calculation is performed repeatedly for “live updates.” In the Lock mode, the calculation occurs only when clicking the Lock button. New Ray. Button. Creates a new ray on the selected light. Delete Ray. Button. Delete the selected ray. Previous Ray ( ). Button. Switch to the previous lower-numbered ray on the selected light. Ray Number. Text field. Shows something like 1/3 to indicate ray 1 of 3 for this light. Next Ray ( ). Button. Switch to the next higher ray on the selected light. Selected Ray Source. Mode button. When lit up, click a tracker in the camera view or any 3-D view to mark it as one point on the ray. Target. Mode button. When lit up, click a tracker in the camera view or any 3-D view to mark it as one point on the ray. If the source and target trackers are the same, it is a reflected-highlight tracking setup, and the Target button will show “(highlight).” For highlight tracking to be functional, there must be a mesh object for the tracker to reflect from. Distance. Spinner. When only a single ray to a nearby light is available, use this spinner to adjust the distance to the light. Leave at zero the rest of the time. Flex/Curve Control Panel Theflex/curvecontrol panel handles both object types, which are used to determine the 3-D position/shape of a curve in 3-D, even if it has no discernable point features. If you select a curve, the parameters of its parent flex (if any) will be shown in the flex section of the dialog. New Flex. Creates and selects a new flex. Left-click successively in a 3-D view or the perspective view to lay down a series of control points. Right-click to end. Delete Flex. Deletes the selected flex (even if it was a curve that was initially clicked). Flex Name List. Lists all the flexes in the scene, allowing you to select a flex, or change its name. Moving Object List. If the flex is parented to a moving object, it is shown here. Normally, “(world)” will be listed. Show this 3-D flex. Controls whether the flex is seen in the viewports or not. Clear. Clears any existing 3-D solution for the flex, so that the flex s initial seed control points may be seen and changed. Solve. Solves for the 3-D position and shape of the flex. The control points disappear, and the solved shape becomes visible. All. Causes all the flexes to be solved simultaneously. Pixel error. Root-mean-square (~average) error in the solved flex, in horizontal pixels. Count. The number of points that will be solved for along the length of the flex. Stiffness. Controls the relative importance of keeping the flex stiff and straight versus reproducing each detail in the curves. Stretch. Relative importance of (not) being stretchy. Endiness. (yes, made this up) Relative importance of exactly meeting the end-point specification. New Curve. Begins creating a new curve—click on a series of points in the camera view. Delete. Deletes the curve. Curve NameList.Shows the currently-selected curves name among a list of all the curves attached to the current flex, or all the unconnected curves if this one is not connected. Parent Flex List.Shows the parent flex of this curve, among all of the flexes. Show.Controls whether or not the curve is shown in the viewport. Enable.Animated checkbox indicating whether the curve should be enabled or not on the current frame. For example, turn it off after the curve goes off-screen, or if the curve is occluded by something that prevents its correct position from being determined. Key all.When on, changing one control point will add a key on all of them. Rough.Select several trackers, turn this button on, then click a curve to use the trackers to roughly position the curve throughout the length of the shot. Truncate.Kills all the keys off the tracker from the current frame to the end of the shot. Tune.Snaps the curve exactly onto the edge underneath it, on the current frame. All.Brings up theCurve Tracking Controldialog, which allows this curve, or all the curves, to be tracked throughout an entire range of frames.
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1. Bode (1782) Vorstellung der Gestirne auf XXXIV Kupfertafeln Nach der Pariser Ausgabe des Flamsteadschen Himmelsatlas Durchgehends Verbessert und mit den Beobachtungen Neuerer Astronomen Vermehrt nebst einer Anweisung zum Gebrauch und einem Vollständigen Sternenverzeichnisse, Berlin / Stralsund, Gottlieb August Lange. @Google booksミシガン大学 (2010-02-09) National Library of the Netherlands (2014-04-16) オーストリア国立図書館 (2018-02-16) 1a. Bode (1973) J. E. Bode s Stern Atlas (Vorstellung der Gestirne auf vierunddreissig Kupfertafeln nach der Pariser Ausgabe des Flamsteadschen Himmelsatlas; durchgehends verbessert und mit d. Beobachtungen neuerer Astronomen vermehrt nebst einer Anweisung zum Gebrauch und einem vollständigen) (Hans Vehrenberg ed.), Düsseldorf, Treugesell-Verlag @Google books@カリフォルニア大学 (2010-07-20) @国立天文台(岡山図書室) 1b. Bode (2000) 『ボーデの星図書』 (天文資料解説集 No.2)千葉市立郷土博物館(編) 小平桂一(監修),家 悦子・平山智啓(訳),横尾広光(解説),千葉,千葉市立郷土博物館 @ 国立天文台(ヒロ図書室) 1c. Bode (2003) Vorstellung der Gestirne auf XXXIV Kupfertafeln nach der Pariser Ausgabe des Flamsteadschen Himmelsatlas ; durchgehends verbessert und mit den Beobachtungen neuerer Astronomen vermehrt ; nebst einer Anweisung zum Gebrauch, (Thomas J. Rivinius ed.) @ Astaria-Verlag-Verlag 2. Bode (1805) Vorstellung der Gestirne auf vier und dreyssig Kupfertafeln nebst einer Anweisung zum Gebrauch und einem Verzeichnisse von 5877 Sternen, Nebelflecken und Sternhaufen, Berlin / Stralsund, Gottlieb August Lange. (Zweite sehr verbesserte und vermehrte Ausgabe) @Google booksBand 1 バイエルン州立図書館 (2012-01-16) Band 2 バイエルン州立図書館 (2012-01-16) Band 2 ―